Below are some press clippings from the last several years.
2010
Adding Machine: A Musical
Set and Lighting DesignKnow Theatre of Cincinnati
"Andrew Hungerford's stark, ingenious production design blinks with binary precision and cranks and creaks like the cruel machinery of commerce itself. In Burnham's dynamic staging, with most furnishings replaced by objects of containment and torture, the performers literally turn the winches of their own destruction." - CityBeat
"A sparse, industrial steel set, with pulleys and sliding metal frames, is inventively used as supplied by Andrew Hungerford. Mr. Hungerford is also responsible for the stark and varied lighting." - Scott Cain, Talkin' Broadway
"Andrew Hungerford's scenic design contributes enormously to the whole. Among his inspirations: three panels of intersecting metal rods effectively stand in for a glass-windowed office building, a claustrophobic living room and a jail cell." - Jackie Demaline, Cincinnati Enquirer
K2
Lighting and Sound DesignPerformance Network Theatre
"...Andrew Hungerford's positively outstanding sound and lighting design." - Jenn McKee, annarbor.com
"Andrew Hungerford's lighting is simple but effective as it hints at the slowly setting sun. His sound design places us in the thick of the swirling wind and cold." - John Monaghan, Detroit Free Press
"Starts out ferociously... The audience's senses are liberally assaulted with the sounds of high winds and terrifying darkness, juxtaposed with images of the actors coming into view... Lighting and sound design by Andrew Hungerford is well used as a commanding presence and as an unobtrusive backdrop." - Carolyn Hayes, The Rogue Critic
2009
The Tempest
Lighting DesignerShakespeare Theatre of New Jersey
"As the players enter, the bare outline of a ship, with massive sails and rigging, takes shape. Undulating yards of blue muslin represent the roiling sea. Booming claps of thunder and blinding flashes of lightning — Charles Harbert and Andrew Hungerford are the sound and lighting designers — set the chaos in motion." Naomi Siegel, New York Times
"Although Charles Calvert's most playable wood planked set is not elaborate, abetted by the sharp lighting of Andrew Hungerford, it manages to provide some visual magic of its own." - Bob Rendell, Talkin' Broadway
"Set designer Charles Calvert has given us a simple backdrop that for some may recall the seventies TV show "Laugh In." Andrew Hungerford has lit it (and indeed the surrounding area) dramatically." - Stewart Duncan, newjerseynewsroom.com
2008
The Winter's Tale
Lighting DesignerShakespeare Theatre of New Jersey
"After the play's first half in which we see how a distressingly paranoid monarch wittingly slanders, humiliates, alienates, and even destroys most everyone he holds dear, we are treated to a second half all bathed in sweetness and light (with a significant assist from lighting designer Andrew Hungerford)" - CurtainUp
Militant Language: A Play With Sand
Lighting and Set DesignerKnow Theatre of Cincinnati
The design team does stellar work here. Scenic designer Andrew Hungerford has beautifully established a sense of place – sand, sand everywhere, with oil drums here and there and debris that suggests a vehicle’s run-in with an IED. There’s also that hauntingly falling sand..." - Jackie Demaline, Cincinnati Enquirer
"The question “What are we building here?” is never answered, and there’s no hint on the sand-covered stage (designed and lit by Andrew Hungerford) — all we see are a few ruined truck parts, no evidence of anything actually being built. Perhaps that’s a metaphor for the damage of war, when things aren’t built but rather steadily demolished." - Rick Pender, CityBeat
Reefer Madness
Lighting and Set DesignerKnow Theatre of Cincinnati
"The purposely corny set by Andrew J. Hungerford consists primarily of cardboard props representing the low-budget production values of the high school drama department and does much to advance the camp appeal." - Scott Cain, Talkin Broadway
"The cartoony show gets a swell cartoony design by Andrew Hungerford, with everything in cut-outs, from coffee cups to church pews to cars and boats and planes...it all contributes enormously to the spirit of fun." - Jackie Demaline, Cincinnati Enquirer
Andrew Hungerford designed and lit properly tacky sets and amusing two-dimensional props. An airplane and a rickshaw are especially effective." - Tom McElfresh, CityBeat
Faith Healer
Lighting and Sound DesignerStanford Summer Theatre
"...drives movement and meaning by way of white lighting — spots that isolate, house lights that draw in, a gradual creeping darkness for finality." - metroactive.com
Topdog/underdog
Lighting and Set DesignerKnow Theatre of Cincinnati
"Andrew Hungerford's set is surrounded by a perimeter of empty liquor and wine bottles, one more sign of how constricted the brothers' lives have become. The seedy, disintegrating furniture and the milk crates Booth stacks up to make a card-playing table provide all the scenery that's needed; Hungerford's lighting design...evokes the changeable, menacing moods required from scene to scene." - Rick Pender, CityBeat
2007
The Pillowman
Lighting and Set DesignerKnow Theatre of Cincinnati
"Scenic and lighting designer Andrew Hungerford provides an appropriately grimy and spartan interrogation room." - Joseph McDonough, Cincinnati Enquirer